Combining Texts

All the ideas for 'A Problem about Substitutional Quantification?st1=Saul A. Kripke', 'The Beautiful in Music' and 'Essays on Intellectual Powers 2: Senses'

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12 ideas

5. Theory of Logic / G. Quantification / 4. Substitutional Quantification
10792 The substitutional quantifier is not in competition with the standard interpretation [Kripke, by Marcus (Barcan)]
7. Existence / A. Nature of Existence / 1. Nature of Existence
23634 Accepting the existence of anything presupposes the notion of existence [Reid]
12. Knowledge Sources / A. A Priori Knowledge / 2. Self-Evidence
23635 Truths are self-evident to sensible persons who understand them clearly without prejudice [Reid]
12. Knowledge Sources / B. Perception / 1. Perception
7631 Sensation is not committed to any external object, but perception is [Reid]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / c. Primary qualities
23637 Primary qualities are the object of mathematics [Reid]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / d. Secondary qualities
23638 Secondary qualities conjure up, and are confused with, the sensations which produce them [Reid]
12. Knowledge Sources / B. Perception / 5. Interpretation
23639 It is unclear whether a toothache is in the mind or in the tooth, but the word has a single meaning [Reid]
12. Knowledge Sources / E. Direct Knowledge / 1. Common Sense
6492 Reid is seen as the main direct realist of the eighteenth century [Reid, by Robinson,H]
13. Knowledge Criteria / B. Internal Justification / 3. Evidentialism / a. Evidence
23641 People dislike believing without evidence, and try to avoid it [Reid]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / b. Pro-coherentism
23642 If non-rational evidence reaches us, it is reason which then makes use of it [Reid]
18. Thought / E. Abstraction / 2. Abstracta by Selection
23640 Only mature minds can distinguish the qualities of a body [Reid]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20344 Music is not an expressive art, because it expresses no familiar emotions [Hanslick, by Wollheim]